The Film Critic – are they a mighty powerhouse capable of
conquering, influencing and making people bow to their opinion? Are they a band
of monsters, who enjoy inflicting negative responses for the sake of boosting
their own name and career while taking some sadistic enjoyment making fun and
criticising someone else’s work? Or are they merely humble servants to the
profession?
Ultimately it’s the question that divides all film
journalists, does the film critic really affect and even influence the box
office? Can one damning review really be responsible for destroying a film’s
chances of success?
Speak to any journalist, and you’ll get a different answer.
One of the most respected film journalists, the BBC’s Mark Kermode, mentioned on
his recent Radio2 Film review show that he does not think the critic affects
how well a film does or how much money it makes, something he has always
believed and stated. Where some film journalists can be slammed for a bad
review, it’s also a sore subject, after all a reviewers job is to say what they
think. It’s their opinion.
There are several types of cinemagoer. Those that go because
they like to see a book or comic book they love translated to the screen. Those
who admire art-house films or beautiful animation, and those that just simply
want to be entertained, relax in front of a good story and have fun. Finally
there are a growing minority of people that love ALL kinds of film. These are
the ones who are more likely to become a critic.
Lets face it, if film journalists and critics were so reviled,
there would be no jobs for them. Directors and actors alike would refuse to be
interviewed and films would never have press screenings or preview festivals.
With the popularity of film review magazines, websites, cinemas pamphlets and
TV shows on the rise, it’s clearly obvious they are going nowhere.
So will one bad review stop people from seeing it? Perhaps
so in some cases, but mostly, its unlikely not. If you are thrilled by the
trailer, or you’re already a fan of the actors, you’re going to see it whether
you read a review or not. How many people actually have time or are interested
in reading a review?
Last year saw the sci-fi action blockbuster John Carter
finally hit the big screens. Adapted from the successful novels, the filmmakers
and production team had high hopes, along with the fans high expectations. John
Carter sunk at the box office, big time. It was one of the most unsuccessful
films of the last decade, with a $200Million budget it made a staggeringly
embarrassing financial loss, and with all the TV spots and marketing campaign
costs on top, it never broke even. The critics loathed it, and so it appears
did audiences. For those who didn’t know anything about the story or the
original book, the trailer provided non the wiser with a trashy mish-mash of
CGI monsters, laughable and unpronounceable names of characters, dumb action
scenes making no sense and a script that was atrocious; a fantastic film idea
and concept gone horribly wrong.
Could the film critics be blamed for this? Certainly
negative word-of-mouth didn’t help it, but the state of the film spoke volumes
for itself. It was clearly a stinker!
Press screenings are a great way for the film distributors
to get their films seen to the professionals before the general public. However
in some cases, films are embargoed and no screening takes place? Why? Do the
studios fear one critic’s bad review will ruin an opening weekend? Of course
that’s why! In truth, this makes very little difference.
Lets not forget that the whole point of a film critic is to
give their opinion…not the opinion of the masses, but a personal feedback and
reaction. Film journalists sees hundreds of films a year, it’s their job and
its what they love to do. They don’t go into a screening wanting to hate a film,
they want to be entertained and surprised, and sadly they are frequently let
down. The reasons for this are arguable – less originality, too many lazy
sequels, good narrative sacrificed for the sake of a big thrill and splashy
explosions, dreadful acting, dreadful casting, poor direction or editing. The
choices are endless.
Perhaps many filmmakers are being too sensitive these days,
but if they are so confident and pleased with their work, then it shouldn’t
matter what one bad review has said. They shouldn’t care.
Hollywood will continue to make films to make money. Cinema’s
still show bad films that make a fortune, while smaller budget sleepers fade
into the background.
Does this mean the critic is to blame? What rubbish!
This Is The End is released in UK cinemas today.
This Is The End is released in UK cinemas today.